The Vivienne Westwood

* Vivienne Westwood British spurt spring and business woman largely liable for bringing modern punk into the main(prenominal) stream. * In 1971, she opened a rawleg with her boy friend Malcolm McLaren called let it joust at 430 Kings Road. They sold brothel nightcrawler shoes and draped jacket. Her passion was the 50s music and clothing. * In 1972, the storeho wasting disease was rebranded with skull and crossbones and re denoted as Too fast to live, excessively young to die. The c out(p)uriers interests had turned to biker clothing, zips and leather. Westwood and McLaren began to design t-shirts with provocative mess eras.Westwood was profoundly inspired by the punk fashion phenomenon of the 1970s, saying I was messianic rough punk, seeing if one could put a spoke in the system in some way. The punk style include BDSM fashion, bondage gear, safety pins, and razor blades, rack chains on clothing and spike dog collars for jewelry, as well as outrageous make-up and hair .* By 1974, the sell was renamed sex. It was intimidating and attracted extraordinary clientele. The haunts slogan was- rubber intermit for the office. In 1980, patronize got its final name i. e. The worlds end which is lifelessness open and owned by Vivienne Westwood. Vivienne Westwoods designs got popular when McLaren became the manager of a British rock band called the sex pistols. They wore enclothe which were intentional by Westwood. The designs were inspired from prostitutes and bikers.* Pirates collecting was the first ever catwalk at capital of Washington in spring 1981. It was a androgynous accruement. This line was inspired from Native Americans and heathenish cuts. The pants were loose from the hip area. The garments were asymmetrical. The costume evoked the golden age of piracy, an age of highwaymen. The assemblage immediately entered the mainstream. The buffalo girls in 1982 marked the the opening of their second shop named Nostalgia of mud. This collection was all roughly huge tattered skirts and sheep skin jackets in muddy colours.The emphasis was put on the over printed natural textiles. The whole collection had a raw feel to it. The inspiration was the dancing Peruvian women. In this collection bra was irresolute as an outmost garment. Her relationship with Malcolm McLaren ended right later this. * Westwood found magic in the conk of the New York graffiti artist Keith Haring. This was printed in fluorescent colours on backgrounds that resembled pyrotechnic paper.In 1983, She created a collection named witches which had Harings artwork on it. It featured t-shirts, outsized jackets and coats, double-breasted jackets. * Client Eastwood, It included garments smothered in Italian company watchword and Day-Glo patches inspired by Tokyos neon signs. These were use to fill up the empty spaces on the garment which was a trend in those days.* Harris Tweed was a Tailored and boyish look collection by Westwood in 1987. The Inspirat ions were royalty, British cloths, e modifiedly wool and black velvet which had provided all the uniforms of the British Empire. This was followed by Voyage to Cythera this collection was named after a Watteau picture show. Inspirations were Watteau, Comedian del Arte and Ballets Ruses . * The Inspirations for the portrait collection were the divers(a) Oil paintings. She tired to portray the painting textures and wealth into her garments. * Cut and Slash in 1991, In this collection she Slashed fabric bid satin, cotton, denim. She was inspired from the 16th speed of light mania for cutting and pricking fabric which lasted for 200 years and the battles.The collection consisted of gowns and entwine wear jackets. * at the time of Gainsborough the cut became mad about English adapt and the spontaneity of country charm. Vivienne believes that fashion is a combination and exchange of ideas between France and England, On the English nerve we have adapt and an easy charm, on the Fr ench side that solidity of design and proportion that comes from never being satisfied because something can perpetually become more refined. thereof she created a collection named Anglomania in 1993. Vive la cyprian was a brand new project collection, the ultimate hourglass figure with padded erupt and bustle now constructed out of a light weight metal cage. It was worn with Extremely high platforms. * After this, she kept historicism to one side, Westwood returned to a more neuter cut, exploring the natural dynamic of the fabric by treating it like a living chain reactor . he came out with various designates like gold label, red label, wild cup of tea etc. choosing different titles explains her forte in the industry.* The glod label was inspired from fairy tales. Hence the collection was known was prince charming. * At Naomi Campbells request we designed a special tee-shirt called Vital Statistics for her charity Fashion for Relief. mightily now this charity is workin g with the fresh Ribbon Alliance which supports the 240,000 pregnant women and mothers of new-born babies with 0 support in Haiti.This tee-shirt is available to barter for at the show venue or through our shops and on the website * The red label is about being romantic and artistic. The woman is an art lover. Art gives meaning to her life and courage to face the world. * She withal designed a wedding gown for Jessica parker in the movie sex and the city. Which became a hit. She was also one of the script writers too. * Her work is genuinely similar to a indain based designer called manish arora, * They both are loud, vibrant, loves to think out of the box etc.